"Played by Chloƫ Ariane Whitehorn, Penelope is a formidable and vulnerable queen. In er opening scene, I wondered if Whitehorn would be able to play Penelope as deeply as te caracyer deserves, but I needn't have worried. Whitehorn's Penelope is a gracious, stoic, brokenhearted woman, someone wo's holding it all togeter but is tired of waiting on a man wo may now be nothing more than a ghost. Whitehorn draws the audience into the life of the wife left behind and she manages to give some history to the story without seeming obvious about it. Her love for bot her husband and son is palpable and Whitehorn is believable as the proud and disappointed queen of Ithaca."
--Queen's Journal ("Epic Story Brought to Small Stage")

"Kingston's Chloe Ariane Whitehorn has been recognized as having a promising future in Canadian Theatre. The first-time director was awarded the Helen R. McGregor Award at last weekend's Eastern Ontario Drama League's One Act Play Festival for her work directing Never Swim Alone, a play put on by the Domino Theatre and the Leningrad Royal Theatre Company of Kingston. Never Swim Alone, by Canadian playwright Daniel MacIvor, also won the Ottawa Little Theatre Award for best production."
--Kingston Whig Standard ("Chloe Ariane Whitehorn: One to Watch")

"Club Chernobyl's cast is strong overall, with Craig Deacon as an unnamed man and Chloe Ariane Whitehorn as Gina providing stand-out performances. Both actors not only communicated well with the audience but made excellent use of their physical action to flesh out their characters. Whitehorn's fast, nervous rambling suited Gina."
--Queen's Journal

"(Gina) has her car break down in the storm and has led such a cloistered life that even the thought of having a drink is enough to fluster her... Chloe Ariane Whitehorn plays Gina, who has had a sheltered life after looking after her grandmother for years. Whitehorn fires off her lines in machine gun bursts of nervousness and is amusing doing so."
--Kingston Whig Standard (Club Chernobyl)

"(Purpose is) an amusing flirtation with existentialism... Elevated by the performances of Brian Froud, John McGraw and Chloe Ariane Whitehorn."
--Eye Weekly

"The House of Yes is a deceptively difficult play. Marty's twin, Jackie-O, is a medicated mess, obsessed with her brother and the Kennedy assassination. Chloƫ Whitehorn plays her with enough neurosis so that we see things are not "normal" from the outset, but without turning her into a raving lunatic. Jackie-O is a great character, and Whitehorn embraces the role."
--Eye Weekly

"The Woman in the Moon buzzes with more energy, visual delights and genuine love of live theatre than many professional productions... What really holds this production together is the cast's ensemble work."
--The Independent Weekly

"While the supporting cast outshone the lead role, this production of Dracula is entertaining and all involved should be immensely pleased with their work."
--The Queen's Journal

"Jeremy Campbell and Chloe Ariane Whitehorn turn in strong performances as Andrew and Georgina, young parents-to-be with a dim future. Whitehorn is the perfect mix between nagging girlfriend and dependent, expecting mother.
"Her voice cracks with emotion whether she's yelling at Campbell or pleading for him to love her and the baby. When she comes home to discover a few uninvited corpses on her couch, her reaction is hysterical, in both senses of the word."
--Kingston Whig Standard (Paradise Heights)